The challenge When you build a video from several recordings on the same track, the recordings stay in the order you first placed them. There's currently no way to change that order within the track — if you want a different sequence, you have to remove and re-add recordings to rebuild the timeline. This slows down anyone who just wants to quickly try a different flow or fix the order of their clips. Our approach Let's make it possible to drag a recording left or right within its track to change its position, so you can reorder the recordings on a track directly in the timeline editor. Expected impact Rearrange the recordings on a track in seconds, without rebuilding the timeline Try out different sequences and find the best flow faster A more intuitive, drag-and-drop editing experience

David Kettner about 21 hours ago

The challenge Some organisations — especially in the public sector — need their videos to be accessible to people who are blind or have low vision. A key part of that is audio description: a spoken narration track that describes what's happening on screen (actions, scenes, on-screen text) so viewers who can't see the visuals can still follow along. Today there's no dedicated way in Mozaik to add such an accessibility narration track to a video. Our approach Let's extend our voice-over feature so you can record or add a spoken audio-description track alongside your video's main audio, and include it in the finished, exported video. Accessibility compliance For many public-sector and regulated customers, audio description is a legal accessibility requirement, so this should fit the way those teams produce compliant videos. Expected impact Produce accessible videos that viewers who are blind or have low vision can follow Help public-sector and regulated customers meet their accessibility obligations Reuse the voice-over workflow you already know to add descriptive narration

David Kettner about 22 hours ago

The challenge When you build automation workflows with Mozaik's ActivePieces integration, there's currently no way to pull footage in from Google Drive. If your source videos live in Google Drive, you have to download them and upload them into Mozaik by hand before an automation can use them, which breaks an otherwise automated workflow and slows things down. Our approach Let's add a Google Drive connection to the ActivePieces integration, with an action that downloads footage from Google Drive and uploads it into Mozaik automatically as part of your workflow. Expected impact Pull source footage straight from Google Drive into Mozaik without manual downloads and uploads Keep automation workflows fully hands-off from source file to finished video Connect Mozaik to where your footage already lives

David Kettner about 22 hours ago

The challenge When you finish a video, the thumbnail is the first thing viewers see — but today you can only set one by building a dedicated thumbnail scene (Szenenbaustein). If you didn't create one, you can end up with no cover image at all. There's no way to simply grab a still from the footage you already recorded and use it as your thumbnail. Our approach Let's let you pick any still frame from your own recordings and use it as the thumbnail — without having to build a separate thumbnail scene for it. Expected impact Set a thumbnail straight from your footage, no dedicated scene needed Never end up with a video that has no cover image A faster, more intuitive way to give every video a polished first impression

David Kettner 8 days ago

The challenge Right now there's no way to change how fast or slow a recording plays in the editor. If you want to slow a clip down for emphasis, create a slow-motion moment, or speed a section up to tighten the pacing, you can't — the recording always plays back at its original speed. That limits the kind of pacing and storytelling you can build into a video. Our approach Let's add speed control for recordings, so you can slow down or speed up a clip directly in the editor and set the playback speed that fits your video. Expected impact Slow clips down for emphasis or speed them up to tighten pacing Create slow-motion and time-lapse style moments without external tools More creative control over the rhythm and feel of your videos

David Kettner 8 days ago

The challenge Mozaik can already automatically optimize the audio quality of your video recordings and uploaded assets, but the same option isn't available for voice-over tracks. Voice-over is a newer part of Mozaik, so it isn't obvious yet that audio optimization doesn't apply to it — users reasonably expect to clean up and enhance a voice-over the same way they do any other asset, and are surprised when they can't. Our approach Extend our existing AI audio optimization so it works on voice-over tracks and assets too. Once you've recorded or uploaded a voice-over, you'll be able to run the same one-click audio optimization you already use elsewhere in Mozaik to improve clarity and levels. Expected impact Clean, consistent audio across your whole project — including voice-overs, not just video assets. One familiar, predictable way to optimize audio everywhere in Mozaik. Better-sounding narration without leaving Mozaik or reaching for external tools.

David Kettner 11 days ago

The challenge On plans with a limited number of video creations per billing period, there's no way inside Mozaik to see how many videos you've already created or how many creations you have left. Teams often only find out they've reached their monthly or yearly limit when a new creation is unexpectedly blocked, which makes it hard to plan production ahead of time. Our approach Introduce a clear usage overview in the app that shows how many videos you've created in the current billing period, alongside how many creations remain against your monthly and yearly quota. Expected impact See at a glance how many videos you've created in the current billing period. Always know how many creations are left before you reach your monthly or yearly limit. Plan and schedule your video production without running into surprise limit blocks.

David Kettner 11 days ago

The challenge Today, your brand kit — including elements like lower thirds — is built and maintained for you by our video team, usually during onboarding. If you want a whole new brand kit, or even just a single new element like a lower third, you have to request it and wait for us to build it. You can't create or adjust those brand elements yourself, so you depend on us for every change. Our approach Let's give you the ability to build your own brand kit elements directly in Mozaik — from individual elements like a lower third, up to (over time) assembling entire brand kits yourself. As a first step, we'd at least like to let you create and edit single brand kit elements on your own, so you're no longer blocked waiting on our team. Expected impact Create and adjust brand kit elements like lower thirds yourself, without waiting on our team Faster turnaround whenever your branding needs to change More independence and control over how your brand looks across your videos

David Kettner 11 days ago

The challenge When you record for Instagram, TikTok and similar platforms, their interface — captions, usernames, buttons and other UI — sits on top of your video and can cover important content or the protagonist. Today the recording view shows a head stencil to help you position yourself, but it doesn't show where each platform's UI will overlap. That makes it easy to end up with content in a "no-go" area that gets hidden once the video is published. Our approach Let's introduce optional safe-zone overlays in the recording view that mark the "no-go" areas each platform (Instagram, TikTok, etc.) covers with its own interface. Protagonists in front of the camera would see exactly where not to stand and where not to place important content, so nothing gets hidden by the platform UI. We'd like to explore offering this as an alternative to the current head stencil. Expected impact Content and protagonists stay clear of areas covered by social platform UI Fewer reshoots and less rework after publishing More confident framing for anyone recording social-first videos

David Kettner 11 days ago

The challenge When a template works well in one account, there's no way to move it into another account without rebuilding it by hand. Teams that run more than one account or workspace end up recreating the same well-tuned templates from scratch, which is slow and error-prone. It also makes it hard to reuse proven templates across workspaces, or to move projects and templates between environments when testing. Our approach Introduce an option to export a template (or project) from one account and import it into another, so it transfers as-is instead of being rebuilt manually. Expected impact Move a well-working template from one account to another without rebuilding it manually. Reuse proven templates across your workspaces and teams. Move templates and projects between environments more easily when testing.

David Kettner 12 days ago

The challenge When you run a campaign, each guest link can spin up its own project, so your project overview fills up with lots of projects — but from that overview there's no way to tell which ones already have recordings and which are still empty. A project nobody has filmed yet looks exactly like one that's ready to edit. To find out where each project stands, you have to open and check them one by one, which gets slow when you have many campaign submissions. Our approach Let's surface each project's status directly in the project overview — a clear indicator of whether a project already contains recordings, and ideally how far along it is (for example, how many scenes already have recordings, shown as x/y). Expected impact Tell at a glance which projects already have recordings and which are still empty. Spot the projects that are ready to edit without opening each one. Stay on top of progress across many campaign submissions from a single overview.

David Kettner 13 days ago

The challenge Some elements only look right when their transparency is preserved — logos, badges, cut-out graphics, or a clip that's meant to sit on top of the footage. Customers already have this media with transparency built in: a transparent .png, or a .mov with an alpha channel. Today there's no reliable way to bring those files into a project and keep their transparency, so instead of a clean cut-out you end up with a solid background box around the element. Our approach Let's add support for using image and video files that contain transparency in a project — a transparent .png, or a .mov with an alpha channel — with the transparency preserved all the way through, both in the editor preview and in the final export. Expected impact Place logos, badges and cut-out graphics cleanly over your video, with no solid background box. Reuse transparent assets you already have (transparent .png, alpha-channel .mov) instead of recreating them from scratch. What you see in the editor matches the final export — transparency is preserved end to end.

David Kettner 13 days ago

The challenge When you build out a project — setting up all your scenes, labels, timings and briefings — that structure is locked to that one project. If you later realise the work belongs in a template, so it can be reused for future recordings, there's no way to turn the project into one. Projects can't be converted into templates today, so the only way forward is to rebuild the template by hand: open the project in one browser tab and a new template in another, then copy every name, timing and briefing across one by one. For anyone who has already invested time structuring a project, that's a lot of duplicated effort. Our approach Let's add a way to create a template directly from an existing project — in one step, carrying over its scenes, structure, labels, timings and briefings — so the setup you've already built can be reused without rebuilding it from scratch. Expected impact Reuse a project's full setup (scenes, labels, timings, briefings) as a template without rebuilding it by hand. Recover cleanly when work was started under a project but really belonged in a template. Save the duplicated effort of copying a project into a template field by field.

David Kettner 13 days ago

The challenge Lining clips up on the timeline today means dragging each one into place by hand and hoping the edges meet. It's easy to leave a tiny gap or overlap between clips, which is fiddly to fix and slows editing down, especially when you're arranging clips across multiple tracks. Our approach Add a magnetic snap to the timeline. Drag a clip close to the start or end of another clip and the two snap together automatically, with no manual nudging to close gaps or remove overlaps. Edges also snap to clips on other tracks and to the playhead, so everything lines up cleanly across the whole timeline. Snapping is on by default and can be turned off in the timeline settings. Expected impact Faster, more precise timeline editing No accidental gaps or overlaps between clips Easier alignment across multiple tracks and to the playhead

David Kettner 15 days ago

The challenge When editing a multi-track project, clips stay locked to the track they were first placed on. There's no way to move part of a recording from the base (main) track up into a B-roll track, or to bring a B-roll clip back down to the base track. That makes it hard to reorganize footage across tracks once it's laid down. Our approach Let users drag a clip from one track to another in both directions, base to B-roll and B-roll to base, so footage can be rearranged across tracks without re-importing or rebuilding the timeline. Expected impact Faster restructuring of videos without rebuilding the timeline More flexible use of B-roll tracks during editing Less rework when footage needs to move between tracks

David Kettner 16 days ago

The challenge Within a scene, the web app currently lets users place only one graphic at a time. Customers building layered scene designs — for example a logo together with a lower-third, or several images and overlays in the same shot — have to split that content across additional scenes to fit every element on screen. This makes richer layouts slow to build and harder to maintain, and forces a workaround for something users expect to do inside a single scene. Our approach Allow users to add and arrange more than one graphic within a single scene, so multiple graphic layers — logos, lower-thirds, images, overlays — can be combined and positioned together without creating extra scenes. Expected impact Richer, more flexible scene layouts built in one place Fewer workarounds and less scene-splitting just to show multiple elements Faster production of branded, multi-element videos

David Kettner 16 days ago

The challenge When recording on camera, presenters struggle to remember a full script and keep eye contact with the lens at the same time. Looking down at notes or away from the camera breaks the connection with the viewer, and longer scripted pieces often need several takes. Our approach Add a built-in teleprompter that scrolls the script on screen, positioned near the camera, so presenters can read naturally while still looking into the lens. Users paste in their script and set a comfortable scroll speed for recording. Expected impact Natural eye contact maintained even on long, scripted videos Fewer retakes and faster recording More confident, professional delivery without memorizing the script

David Kettner 16 days ago

The challenge Once a campaign is created in Mozaik, there is currently no way to modify it. Users who need to change any campaign property are forced to create a new campaign — which generates a new public invite link, invalidating any links already shared with external contributors. The properties users most commonly need to update are: Campaign name — without a custom name, the campaign overview displays "Untitled campaign", making it difficult to navigate between multiple campaigns Video template — which defines what invited contributors see and are asked to record Consent link/URL — which controls whether contributors must complete a data privacy step before recording Our approach Add an "Edit campaign" option that allows users to update a campaign's core metadata after creation — name, connected video template, and consent URL — without affecting the campaign's public invite link or invalidating existing contributor invitations. Expected impact Stable invite links even after campaign configuration changes Cleaner campaign overview with meaningful, editable names Fewer duplicate campaigns cluttering the workspace Greater flexibility to iterate on campaign setup without starting from scratch

David Kettner about 1 month ago

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The challenge Teams currently have no single place to see all the accounts active in their workspace. The user management experience is fragmented: Guest accounts are only visible in the context of the specific project they're connected to — there's no way to see all guests across the team at once Pending invitations are not surfaced clearly, making it hard to track who has been invited but hasn't joined yet There's no visibility into guest invitation limits — admins can't easily tell how many guest slots remain on their subscription Our approach Let's build a unified team member overview that gives admins a consolidated view of all accounts in their workspace — Admins, Members, and Guests — in one place. This should include pending invitations and remaining guest invitation capacity from their subscription. Expected impact Clearer picture of who has access to the team at any given time Faster identification of pending invitations that haven't been accepted Better subscription management with visible guest slot usage and limits Reduced confusion caused by guest accounts only being visible at the project level

David Kettner about 1 month ago

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The challenge Users want to export footage stored in the Mozaik Video Cloud or Mozaik Asset Cloud to other providers and editing platforms, such as Adobe Premiere Pro. This is especially important when users collect footage through Mozaik guest invitations or campaigns but want to continue using that footage in video projects that already run on external editing platforms. Today, this is possible, but it can have limitations because Mozaik works with specific video and audio codecs to optimize quality and editing performance. For example, Mozaik may use lossless FLAC audio coding to preserve high audio quality through multiple edits, but some external editors, including Adobe products, do not support FLAC audio. Our approach Provide users with different export codec options for footage stored in the Mozaik Video Cloud or Mozaik Asset Cloud. Users should still benefit from Mozaik’s automated codec optimization by default, while also being able to select export settings that guarantee compatibility with external providers and video editing platforms. This should make it possible to export footage in formats that work reliably in tools such as Adobe Premiere Pro and other third-party editors, even when those tools do not support Mozaik’s preferred lossless or optimized codecs. Expected impact • Easier reuse of Mozaik footage in existing external editing workflows • Better compatibility with tools such as Adobe Premiere Pro and other third-party video editors • Fewer codec-related issues when exporting footage from Mozaik • Continued support for high-quality internal codec optimization while giving users export flexibility • More confidence for teams collecting footage via guest invitations or campaigns and editing elsewhere

David Kettner about 2 months ago

The challenge Users want a faster and more flexible way to add narrated audio tracks to their Mozaik video projects without needing to record voiceovers manually or use external text-to-speech tools. While a separate feedback item already covers adding general voiceover tracks to video projects — including recording a voiceover directly in Mozaik or uploading an existing audio file — this request focuses specifically on AI-generated voiceovers and voice cloning. Related feedback item: https://feedback.mozaik-app.com/p/add-voiceover-tracks-to-video-projects Our approach Enable users to generate AI voiceovers directly inside the Mozaik video editor using modern text-to-speech technology. Users should be able to enter a script, generate a voiceover audio track, and add that generated audio directly to their video project. This should support two main AI voice workflows: 1. Select from existing AI voices: Users should be able to choose from a library of AI voices and select a matching voice based on the use case, tone, language, target audience, or type of video they are creating. 2. Clone their own voice: Users should be able to clone their own voice and add it to the voice library of their Mozaik account, so they can generate future voiceovers using their own reusable AI voice clone. The generated voiceover should behave like a normal audio track inside the editor, so users can place it in the video timeline and use it as narration for tutorials, explainer videos, social media clips, and other narrated formats. Expected impact • Faster creation of narrated videos without external recording or TTS tools • Easier production of tutorials, explainers, and social media clips • More flexibility through AI voice selection by use case, tone, language, or video type • Stronger personalization through account-specific voice clones • A more complete voiceover workflow when combined with the existing general voiceover-track request

David Kettner about 2 months ago

Jun 30